Manager of Museum Technology

^{Ingenium Canada | October 2022 – Present, Ottawa}

I am responsible for the design, deployment, and operations of all visitor-facing technologies in three national museums with over 560K annual visitors. I oversee a small team of specialists in the daily operation of our 200+ interactive exhibits, hybrid events, and large A/V displays. I was able to develop and implement several agile processes to improve the functionality of the MT group, resulting in an increased team efficiency by 20%.

I helped to develop an immersive simulation game, increasing engagement time by 150%. By collaborating with our Digital Innovation Lab for research and testing, we were able to implement an inclusive and accessible design approach which was later recognized by MuseumNext for its achievements.

I am currently spearheading the modernization strategy for visitor-facing technologies and experiences across all three museums and our collections centre. I work directly with the Director of Digital and the VP of Digital, Public Affairs, and Corporate Operations. This is a massive project with long-term implications for the corporation. It includes the development of an innovation plan that can leverage progressive web applications and emerging technologies in interactive displays to revitalize the museum experience.

Co-Founder, Creative Director

^{Winter Projects | July 2018 – Present}

In 2018, I partnered with Ramona Pringle to create short-form documentaries. We created Winter Projects to develop fiction/nonfiction story content for traditional media and emerging platforms in the off season. Our first project was the documentary series The Hidden Collection; eight episodes that showcased woman artists underrepresented in the art world. The project was funded by Ontario Creates through a development phase and drew the attention of TVOntario as a partner and is currently in need of a distributor.

Writer, Director, and Game Designer

^{Self-Employed | July 2017 – Present}

I‘ve continued my work in games and VR for select clients with a focus on UI patterns that connect the player with narratives on a psychological and emotional level. I’ve created ARGs and interactive experiences for several IP by analyzing the associated challenges, collecting and assessing research, and working within budgets and timelines to create the best possible user experience.

Clients: Digital Howard, WorldGaming, Cineplex, Yellow Bear Studios, Insight Productions, Fathom Film Group, NMERSO, Dark Slope Studios, Relish Interactive, NFB, Taza Media

Projects: Broken Spectre VR, Cynara, Damaged, Delirium, Everything RJ, Eye of the Beholder VR, Flow Weaver VR, Normal Girls, Snoopy in Space VR, REZZ’s “Flying Octopus” music video, and The Book of Distance VR

Program Director and Assistant Professor

^{Toronto Metropolitan University | August 2021 – October 2022, Cairo}

I was asked to join The Creative School in Cairo, Egypt to launch the new TMU campus there as Program Director for Media Production & Sport Media. I was responsible for developing the courses, leading a small team of expatriate and local staff, and participating in our Egyptian partner’s efforts to attract students in the year leading up to the campus’ opening.

Media Lecturer

^{Toronto Metropolitan University | June 2014 – March 2021, Toronto}

Through thoughtful communication, honest and respectful feedback, and a healthy positive attitude, I improved my students’ capabilities with and knowledge of user experience design, interactive story, and game narrative across various platforms. I taught courses in Digital Media Production and Multimedia Narrative, where I was able to leverage my industry experience and my network to provide students with engaging lessons and skill-building exercises.

Creative Director

^{Secret Location / Entertainment One | June 2014 – March 2017, Toronto}

During my time as a CD at Secret Location I was the key vision-holder and creative lead on several high-profile projects and pitches. Reporting to the Executive CD and managing a team of a dozen full-time Art Directors and Designers (as well as contractors and external vendors), I shaped the direction we took in or creative process; from brainstorming, through production, to delivery.

Clients: BMO, Corus, Entertainment One, Frontline, IDEO, NBC Universal, NFB, PepsiCo, PBS Frontline, SyFy, WB

Projects: Are You on The Blacklist?, Backstage: Too Much Keaton, Ebola Outbreak, Halcyon, Highrise: Universe Within, The Wishing Fountain, Project Literacy

Senior Art Director

^{Secret Location | September 2011 – June 2014, Toronto}

As Senior Art Director, I mentored a team of designers and led creative on many award-winning projects—including Sleepy Hollow, which won the first Emmy® for VR (UX and Visual Design). Through constant prototyping of novel approaches to UI, championing innovation in story, and taking a holistic approach to this new medium, I was a key player in upholding our studio’s record of excellence.

Clients: Corus, Endemol, Shaw, PBS, Warner Brothers, FOX TV, WWF, Entertainment One, Stanfield’s

Projects: Big Brother Canada, The Gitchhiker, Grojband, Sleepy Hollow VR, Nerds & Monsters, Winston Steinberger And Sir Dudley Ding Dong

Illustrator & Interactive Art Director

^{Freelance | December 1998 – March 2013}

I was an active leader building teams to deliver compelling digital advertising with a strong focus on UI, prevalent online trends, market research, quick iterations, and a very short turnaround.

Clients: Critical Mass, Pearson Publishing, Johnshen Stationery, Raising The Village, Citibank, Nestlé, Canadian Improv Games, Women in Film and Television Toronto, Global Affairs Canada

Senior Art Director

^{Real Interactive / 6Degrees | August 2009 – May 2011, Toronto}

I was responsible for developing original concepts, pitching creative work to clients and internal stakeholders, developing UX/UI designs, and managing designers and developers during production. The interactive projects that I developed were deployed both online and as kiosks in LBE and experiential marketing campaigns.

Clients: Schick, Orville Redenbacher, Kinder Chocolate, Irish Spring, Clorox, Canadian Tire, Hidden Valley Ranch, Brita

Art Director

^{Marketlink | May 2009 – August 2009, Toronto}

I led the creation of original concepts and pitched creative solutions to both clients and internal stakeholders, working with major international brands and their large consumer audiences. My role included the design of UX/UI experiences and collaboration with designers and developers throughout production to ensure high-quality, scalable work aligned with global brand standards.

Clients: Knorr, Unilever, Ivanhoe-Cambridge

Creative Director

^{Fenix Solutions | March 2006 – May 2009, Ottawa}

At Fenix Solutions, I led creative direction across all our digital projects, translating brand strategy into engaging, customer-focused experiences. My work focused on blending storytelling, design, and technology to create interactive environments that drove connection, clarity, and measurable impact.

Clients: NAVCANADA, Tourism Ottawa, National Gallery of Canada, Carlingwood Shopping Centre

Course Instructor

^{Algonquin College | July 2002 – March 2005, Ottawa}

I taught an introductory course for applicants to several New Media programs, including Animation and Graphic Design. I created the course outlines and materials, and developed a lesson plan that was designed to strengthen the fundamental skills in illustration, creative thinking and problem solving through design.

Interactive Designer

^{Freelance | April 2001 – March 2006, Ottawa}

As a freelancer, I worked with several local studios and their national clients on websites, touchscreen applications, exhibits, and web-based games and activities. My responsibilities included creating workplans and schedules, leading creative meetings, collaborating with developers (both internal and external), and liaising with clients on their needs and expectations.

Clients: Pixelera, National Research Council of Canada, Health Canada, Canadian War Museum, FAR Support, Canadian Automobile Association, iBEC, Envision Online, National Research Council of Canada, Health Canada, Canadian War Museum

Game Designer & 2D Artist

^{Freelance | February 1998 – September 2000, Ottawa}

Over three years, I worked as a freelancer for two local game studios, creating 2D art assets for several licensed games. I also collaborated with the internal teams on game development and 3D level design. I was also involved in QA testing and UX design.

Clients: Artech Studios, Buzzcut Entertainment, Hasbro Interactive, Fisher-Price, Nickelodeon, and Sony Computer Entertainment

Games: Jeopardy!, My Little Pony: Friendship Gardens, Q*Bert, Rescue Heroes, Blue’s Clues, and Guess Who?

Animator, Layout & FX Artist

^{Freelance | May 1996 – March 2001}

I worked as an animator and designer for film and television projects in Canada, France, and the United States. As an animator had the opportunity to work on 2D FX animation for Warner Brothers’ animated film Space Jam. That opportunity led to additional work in FX, where I was able to leverage my specialization and work on several exciting international projects, including Bob Morane and Undergrads.

Clients: Funbag Animation, Lacewood Productions, Amberwood Entertainment, Borealis FX, Cinar, Nelvana, Dynomite Cartoons, CTV, Paragon Entertainment, CBC, Nickelodeon, CBS, Warner Brothers, Cactus Animation, Ellipse Animation, Canal+, Teletoon, and YTV

Projects: The Teddy Bears’ Scare, Legends of the Land, Alfred Hedgehog, Freaky Stories, Anthony Ant, Watership Down, Undergrads, Franklin, Bob Morane, Space Jam